© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron
© Iwan Baan / Courtesy of Herzog & De Meuron

Elbphilharmonie Hamburg

200best ES
Herzog & de Meuron
2016

Type

Cultural

Tags

cultural facilities, postindustrial spaces , landmarks, performing spaces, art spaces , 200Best

Visitability

Allowed

Description

The Elbphilharmonie on the Kaispeicher marks a location that most people in Hamburg know about but have never really noticed. It is now set to become a new centre of social, cultural and daily life for the people of Hamburg and for visitors from all over the world.Too often a new cultural centre appears to cater to the privileged few. In order to make the new Philharmonic a genuinely public attraction, it is imperative to provide not only attractive architecture but also an attractive mix of urban uses. The building complex accommodates a philharmonic hall, a chamber music hall, restaurants, bars, a panorama terrace with views of Hamburg and the harbour, apartments, a hotel and parking facilities. These varied uses are combined in one building as they are in a city. And like a city, the two contradictory and superimposed architectures of the Kaispeicher and the Philharmonic ensure exciting, varied spatial sequences: on the one hand, the original and archaic feel of the Kaispeicher marked by its relationship to the harbour; on the other, the sumptuous, elegant world of the Philharmonic. In between, there is an expansive topography of public and private spaces, all differing in character and scale: the large terrace of the Kaispeicher, extending like a new public plaza, responds to the inwardly oriented world of the Philharmonic built above it.The heart of the complex is the Elbphilharmonie itself. A space has emerged that foregrounds music listeners and music makers to such an extent that, together, they actually represent the architecture. The philharmonic building typology has undergone architectural reformulation that is exceptionally radical in its unprecedented emphasis on the proximity between artist and audience – almost like a football stadium.The new philharmonic is not just a site for music; it is a full-fledged residential and cultural complex. The concert hall, seating 2100, and the chamber music hall for 550 listeners are embedded in between luxury flats and a five-star hotel with built-in services such as restaurants, a health and fitness centre, conference facilities. Long a mute monument of the post-war era that occasionally hosted fringe events, the Kaispeicher A has now been transformed into a vibrant, international centre for music lovers, a magnet for both tourists and the business world. The Elbphilharmonie will become a landmark of the city of Hamburg and a beacon for all of Germany. It will vitalize the neighbourhood of the burgeoning HafenCity, ensuring that it is not merely a satellite of the venerable Hanseatic city but a new urban district in its own right.(Description provided by Herzog & deMeuron)