© Peter Mauss
© Christian Richters
© Peter Mauss
© Peter Mauss
© Peter Mauss
© Peter Mauss
© Bernard Tschumi Architects
© Bernard Tschumi Architects
© Bernard Tschumi Architects
© Bernard Tschumi Architects
© Bernard Tschumi Architects

Acropolis Museum

200best ES
Bernard Tschumi Architects
2009

Type

Museum

Tags

art spaces , traces from the past, 200Best, dealing with history

Visitability

Allowed

Description

The challenges of designing the new Acropolis Museum began with the responsibility of housing the most dramatic sculptures of Greek antiquity. The building’s polemical location added further layers of responsibility to the design. Located at the foot of the Acropolis, the site confronted us with sensitive archeological excavations, the presence of the contemporary city and its street grid, and the Parthenon itself, one of the most influential buildings in Western civilization. Combined with a hot climate in an earthquake region, these conditions moved us to design a simple and precise museum with the mathematical and conceptual clarity of ancient Greece. We first articulated the building into a base, middle, and top, which were designed around the specific needs of each part of the program.The base of the museum floats on pilotis over the existing archeological excavations, protecting the site with a network of columns placed in careful negotiation with experts. This level contains the entrance lobby as well as temporary exhibition spaces, an auditorium, and all support facilities. A glass ramp overlooking the archeological excavations leads to the galleries in the middle, in the form of a spectacular doubleheight room supported by tall columns. The top, which is made up of the rectangular Parthenon Gallery arranged around an indoor court, rotates gently to orient the marbles of the Frieze exactly as they were at the Parthenon centuries ago. Its transparent enclosure provides ideal light for sculpture in direct view to and from the Acropolis, using the most contemporary glass technology to protect the gallery against excessive heat and light.The circulation route narrates a rich spatial experience from the city street into the historical world of the different periods of archeological inquiry. The visitor's route through the museum forms a clear three-dimensional loop, affording an architectural and historical promenade that extends from the archeological excavations, visible through a glass floor in the entrance gallery, to the Parthenon Frieze in a gallery with views over the city, and back down through theRoman period.The materials have been selected for simplicity and sobriety: glass, concrete, and marble are the materials of choice. Perfectly transparent glass gently filters the light through a silkscreen-shading process. Concrete (both precast and cast-in-place) provides the main building structure and is the background for most of the artwork. Marble marks the floor: black for circulation, light beige for the galleries. Construction progressed according to exacting standards so that the building will age gracefully, despite the heavy traffic of an international travel destination.(Description provided by Bernard Tschumi Architects )